"Demeter Awakens" with Carlee Gifford, a diptych in the historic wet plate collodion process of pure silver on glass. A collaboration with Rachael TreeTop from Crabapple Floral.
Carl Zeiss Tessar 300mm lens, f4.5, 11 seconds of exposure, 8x10" black glass ambrotype, natural light through Northern facing windows and skylight bolstered by one continuous fluorescent fixture, at Nostalgic Glass Wet Plate Studio, Bismarck, North Dakota.
“Columbus Landed, Columbus Fell”, with Allan Demaray and Lance Loken, wet plate collodion.
“Indigenous people north and south were displaced, died of disease, and were killed by Europeans through slavery, rape, and war. In 1491, about 145 million people lived in the western hemisphere. By 1691, the population of indigenous Americans had declined by 90-95 percent, or by around 130 million people." - Wikipedia
This wet plate is my attempt to address the genocide that has occurred in North America since Christopher Columbus landed on August 3rd, 1492.
Carl Zeiss Tessar 300mm lens, f4.5, 10 seconds of exposure, 8x10" black glass ambrotype using natural light through Northern facing windows and skylights at Nostalgic Glass Wet Plate Studio, Bismarck, North Dakota.
https://msumadvocate.com/2020/03/06/i-killed-columbus/
The feature length documentary “Balkowitsch” will screen at the Fargo Film Festival on March 18th, 7pm at the historic Fargo Theatre. Directors Greg DeSaye and Chelsy Ciavarella will participate in question and answer session following the screening.
https://www.imdb.com/title/tt11929442/
Much controversy is surrounding Shane's work coming into this festival. Recently he received personal threats, boycotting and vandalism in his home city of Bismarck for a mural "Standing For Us All" with Greta Thunberg that he tried to install in an alley. His previous mural that has been up for over a year called "Liberty Trudges Through Injustice" was egged. Over 50 local, national and international news organizations ran with the story of hate that was thrown his way. A grass roots movement in Fargo with the guidance and leadership of Michael Williams agreed to take the art installation in Fargo as a way to show that not all of North Dakota feels this way. The large installation will be installed at the Frontstreet Taproom in Fargo at 1pm on the day of the opening of the film. The city of Poughkeepsie in New York has also decided to install the piece for their residents to enjoy. Shane also has plans himself to install the mural at Standing Rock near Sitting Bull College. The film has since been awarded the "Prairie Spirit Award" and has received Honorable Mention by the film festival.
Everyone has a purpose, but most spend their lives searching. For one man, his purpose came late in life and has been fueled with passion, spreading like wildfire across the prairies and now spanning the world.
Shane Balkowitsch has found his voice through the lost art of wet plate photography. He is archiving history, preserving bloodlines and capturing his visions in silver on glass for future generations.
"Art can be a weapon for change and we artists have the ability to wield it at will." - Shane Balkowitsch
Alice in Wonderland" a wet plate collaboration, captured in the historic wet plate collodion process of silver on glass.
Thank you Dan Miller for bringing us all together. The fabulous Amber Sams, Caylin Cathey, Tessa Marie and Caitlin Dooley we stupendous in their roles.
Not many people know that Lewis Carroll was an accomplished wet plate collodion photographer as well as an author.
Carl Zeiss Tessar 300mm lens, 8x10" black glass ambrotypes, f4.5, 10 seconds of exposure using Northern light through windows and skylight bolstered by continuous lights.
"The Passing of King Arthur", wet plate inspired by the work of Julia Margaret Cameron, circa 1875, in the same process that she used in the Victoria ero.
Thank you Kevin R Tengesdal, Kary Janousek, Ali Horner, Jesse Castillo, Shaelynn Larson, Laine Pope and Anthony Nelson for all you did for this image.
8x10" black glass ambrotype in the historic wet plate process of pure silver on glass, Carl Zeiss Tessar 300mm lens, f4.5, 9 seconds of exposure, natural light through Northern facing windows and skylight at Nostalgic Glass Wet Plate Studio.
"The Lady of Shalott" in wet plate collodion, inspired by the poem by Lord Tennyson and the painting of John William Waterhouse, circa 1888.
"King Ahasuerus and Queen Esther in Apocrypha", a wet plate inspired by the beautiful work of Julia Margaret Cameron, circa 1865.